After a long break, I painted a little bit again yesterday. Well, it was more of a few exercises to try out some new materials and a different format. Everything should be very small, at max. 5 x 7 cm. And that was and still is the biggest challenge for me, because painting in such small ...
Vor ein paar Wochen, als ich ziemlich müde von der Arbeit (ich hab eine große Wand verputzt) nach Hause kam, fand ich meinen Liebsten mit einer Nachbarin im Garten sitzend, vertieft in ein Gespräch. Sie war mit ihrem Baby spazieren und hat unseren Garten, der noch im Entstehen, aber schon schön ist, bewundert. Es stellte ...
It`s already seven years since we constructed a new spiral staircase for our house. Hagen built a wooden skeleton and I put gypsum on it, layer by layer, until it looked like an elegant, old staircase. The final surface was plastered with a mix of lime, gypsum, pigments and protected with savon noir. One can ...
For this painting I left a bit my usual way of mixing natural pigments with different media to create in-depth nuances of one or two colours. Here I just used gesso and mixed it with ash and metallic silver paint. This melange resulted into something very organic, with wonderful, random structures and colours. To me, ...
There are places in this world, I have to go there again and again and so I went last Friday. Roussillon, more precisely, the Conservatoire des ocres et de la couleur is such a place. Here I learned all the old techniques of wall plastering, here I always buy pigments and tools for my paintings ...
I finished another painting, a bit similar to the Autumn Leafs painting, but with a much clearer structure and so I think, more powerful. Also, I used different materials: lime, marble powder and cold marble wax for a smooth structure and shellac ink for a warm subtle tone. This time, I really wanted to get ...
Autumn, the season between summer and winter, a time of change. It brings beautiful colours of fallen leafs, snugly evenings in front of the fire. We start preparing for the winter time, harvest and conserve fruits and vegetables from our garden, store firewood, take out our cosy woolen cloths. Nature is preparing herself for a […]
I am always experimenting with different natural materials, such as lime, marble powder, fine sand, ash, to create depth and structure. The challenge lies in bonding these materials and adhere them to a flexible canvas. Sometimes, they just crumble away after drying. Using a mix of pure lime with marble powder, which is used for […]
The design of walls, their colours and surface structure, decisively influences how well we feel in it. Of course, this also subject to trends and fashions, but I think it should fit to the personality of the people living in it. It is like a coat that envelops us.
There is a universe of ready made products, imitating old techniques such as Stuc or Tadelakt. As I have written several times, I learned how to make and apply decorative coatings by just using sand, lime and marble. I follow old recipes, which are partly written down and so surpassed, but as always, the real secrets you learn only when you work with it. There are almost no restrictions, you can coat almost any underground with an appropriate pre-treatment.
The result of this work is always unique, always personal and never exactly foreseeable, because I work with natural materials. The little irregularities are part of the decoration and make it so distinctive and charming.
I have already decorated many hundred square meters of walls, I work I really like and therefore, I included it into my repertoire.
Few weeks ago, I wrote about a natural paint, based on flower and pigments, I created for painting a new garage door.
Last week, I wanted to paint the shelter for our firewood in the garden and again, I cooked my paint, using the same recipe but with red iron oxide pigment.
The shelter is much more exposed to weather (sometimes rain, but mostly sun and wind) than the garage door and thus a durable paint is needed to protect the wood.
Permanent exposure to the sun is a big challenge, most of the synthetic paints peel of after a few months. So far, I used Osmo paints but even those semi-natural paints chipped of after two years.
It can become an expensive hobby to paint all the outdoor wooden pieces every two years. A durable natural paint, tested under Scandinavian weather conditions for centuries seems to be a good alternative.
It’s easy to create and it’s cheap: 5 L of paint costs about 5 €!
Thinking of the environment, I also wanted to avoid any toxic ingredients.
The paint should last approx. 4-5 years and restoration is easy as the surface needs to be brushed before repainting it.
Swedish Red or Rouge de Falun
In the town of Falun is a copper mine which has been explored for more than thousand years. The red iron oxide is a by-product of the copper mining. The earth above the copper contains ocher, silicon and zinc. At plain air, it washes out and dries. The result is a fine red powder, the red iron oxide.
The mine closed in 1992. Today, the area is on the UNESCO list and a tourist hot spot.
Since a few years, we have Swedish family members and one of the first pictures which popped up in our heads were those of the nice red wooden houses in Sweden.
In the 16 century the city municipalities ordered home owners to paint their house front facing the street in red to impress the royals.
Later on, it became a countrywide fashion to paint all new country houses red, urban villas in yellow and window frames and fences in red or green. At this time, the paint did not contain any linseed oil or savon noir, but sometimes brine, beer or tar.
Either you cook your own paint, or you buy it from the two manufacturers of traditional Swedish paint, Falu Rödfärg and Moose Färg.
Nowadays, the colour palette offers also different shades of blue, yellow, grey, green and even black.
The base recipe stays the same, just different pigments are added.
You can use this kind of paint also for painting wooden floors, furniture, already painted walls (plaster boards like Rigips and Fermacell) and bricks.
Ferrous sulfate protects the wood against fungus infestation and is not needed for indoor paints.
The surface needs to be rough, the best is to seal it in advance.
Even an application on paper walls is possible but you need to make the wall absorbent with a layer of acrylic.