I always experiment with different materials and inspired by some art I saw at the ART Basel, I wanted to create artificial rust on canvas. There are ready to buy kits for creating artificial rust, which are quite expensive and I thought, also boring to apply. I like to figured it out by myself 🙂 ...
The last weeks were packed with lots of stuff. Currently, I am mainly working with Clara & Tobias in this old house and it’s really heavy work. We are still building the new separation wall and we already reached the first level (cave and ground floor are done!). It’s not only building this wall, it ...
Autumn, the season between summer and winter, a time of change. It brings beautiful colours of fallen leafs, snugly evenings in front of the fire. We start preparing for the winter time, harvest and conserve fruits and vegetables from our garden, store firewood, take out our cosy woolen cloths. Nature is preparing herself for a […]
Blue again. Don’t ask me why. It’s just about sitting at beach, watching the sea and the sky, listening to the waves, philosophising, dreaming into infinity, sleeping away, waking up refreshed and energised. It sounds It rustles It echoes It reverberates It sparkles It smells And becomes devoutly singing blue. The blue fades to light. […]
Ich male nicht nur Leinwände an, sondern auch richtige Wände, genauer gesagt, ich verputze sie. So auf die traditionelle Art, mit Kalk, Sand, Gips und Marmormehl, je nach Untergrund und Verwendungszweck. Das ist für alte Häuser hier in Südfrankreich die beste und auch nachhaltigste Methode. Die alten Häuser sind überwiegend aus Natursteinen und Kalk oder […]
It is often said that grey is not a colour, but a statement, if you want to hide or remain invisible (the grey mouse). Sometimes, instead of positioning oneself for one side or another, we are looking for a way in the middle between two opposites, between white and black. But grey can also be […]
I am always experimenting with different natural materials, such as lime, marble powder, fine sand, ash, to create depth and structure. The challenge lies in bonding these materials and adhere them to a flexible canvas. Sometimes, they just crumble away after drying. Using a mix of pure lime with marble powder, which is used for […]
In the middle of the winter, when it became really cold, grey and windy, when the sun did not shine for a few days, I was longing for the blue sky and bright light. I thought of using yellow, the colour of the sun, to create a painting which could brighten up this time of […]
Last week, I created a new piece of art, I painted a garage door.
Well, it’s a different kind of art, the art lies more in the paint itself.
The newly built wooden garage door needed to be protected and I wanted to have it open-pored to let the wood breath and keep it natural touch. The challenge here is the sun, which lets every artificial colour chip off after a relatively short period. I did a bit of a research and found the old recipes for the famous Swedish paint “Swedish red”. This paint has been created about 250 years ago and it’s still used, especially for restoration of old buildings and furniture.
I felt like a witch in her kitchen when I cooked the paint
The recipe for about 16 m²:
175 g flour (with gluten!)
2 l water
50 g ferrous sulfate
500 g pigments
0,25 l linseed oil
25 cl savon noir
Heat half of the water. Pour the flour into 0,5 l of cold water and mix it to get a paste without any lumps. Slowly stir the paste into the warm water, add the pigments and the sulfate. Stir it for about 15 min until the mix gets creamy. Pour gradually the linseed oil in, when all is mixed together (after about 15 min), add the savon to stabilize the mixture. Stir everything for another 15 min.
The paint is ready when it has a creamy consistency, as if you prepare the mix for a crêpe.
I recommend to soak the pigments into water before pouring them into the flour soup.Let it cool down.
The paint is ready when cold and it needs to be stirred from time to time during application. It’s a non-dropping paint.
I applied it three times on new wood, which I washed with savon noir emulsion a day before.
The base recipe can be coloured any many shades and I wanted to create a grey tone to match the already painted shutters and windows of the house.
The result is a very natural paint, looking velvety and I think it is perfect for an old house.
I got some gold leaves and played around with it, tried to show the dirty and shiny sides of gold, by applying layers of sienna, ardoise, noir de vigne, titan oxyde.
Gold – symbol of power, wealth, purity, dead, war, earth, slavery, blood, jewelry, gold rush, enlightenment, greed, cyanidation, altering nature, wedding ring, currency speculation, spiritual values, imperishability, eternity.