The last weeks were packed with lots of stuff. Currently, I am mainly working with Clara & Tobias in this old house and it’s really heavy work. We are still building the new separation wall and we already reached the first level (cave and ground floor are done!). It’s not only building this wall, it ...
Autumn, the season between summer and winter, a time of change. It brings beautiful colours of fallen leafs, snugly evenings in front of the fire. We start preparing for the winter time, harvest and conserve fruits and vegetables from our garden, store firewood, take out our cosy woolen cloths. Nature is preparing herself for a […]
In the middle of the winter, when it became really cold, grey and windy, when the sun did not shine for a few days, I was longing for the blue sky and bright light. I thought of using yellow, the colour of the sun, to create a painting which could brighten up this time of […]
Gold and silver are often mentioned in the same breath, somehow belonging together, they represent about the same symbols and attributes. Admittedly, I have a slightly different feeling about silver, to me it is more clean and has more clarity, typifies modernity and technology.
Anyway, after painting Gold, it was obvious to paint the other half of that couple.
As always, I applied many layers of paint in varying thickness, by using spatulas, brushes and self-made fabric stamps.
I then sanded or abraded them and anew these layers. Instead of genuine silver, I used silver paint since it does not oxidize.
Here a series of photos documenting the painting process a bit:
The result is as always a little surprising also for myself, because the structures arise on the go, at random.
So far, I have always worked with several colours, with Red I limited myself to one colour, but in different shades: ochre rouge, Rouge de Venise, vermilion. Again, I have worked with different layers and binders, such as marble powder, linseed oil and acrylic.
Ocre Rouge or iron oxide, is a pigment obtained by calcination of yellow ochre. The Venetian red is also based on iron oxide and has been used since antiquity for painting. Vermilion has been derived from mercury sulfide but here I used a synthetic pigment, which reacts a bit differently than the other two mineral pigments.
There are a lot of theories about the meaning of colours and the related personality types, and although some are very controversial, there are quite coincident assignments.
Roughly speaking, personality types differ according to their type of temperament (extrovert, introvert) and further regarding sensory perception, intuition, thinking and feeling.
The colour red is associated with extroverted, analytical thinking people. Allocated to red are such attributes like decisive, strong-willed, demanding, task & goal focused, powerful and positive thinking. “Red people” are full of energy and take immediately chances and challenges, tackle problems, and think later, maybe.
It could be that they do not pay much attention on the feelings of others.
No person is only red, just as the picture that I painted. It has different shades of red, which will be probably not perceived by many as red in the traditional sense. The middle part consists of several layers of ochre rouge, which is mixed with various binders and thus the layers are fairly discolored. The lower part consists of Venetian red, a deep, warm shade of red. The upper part is painted in several layers of vermilion on Venetian red. Depending on the source and intensity of light, the colours change.
When thinking about painting with one colour tone, red and blue came into my mind first. Seems, that I am not one hundred percent red
Rush, hurry up to get the subway, the bus, the plane, be on time at the office.
Countless phone calls, talking to employees and customers, power struggles.
In between eating a bit, little fresh air, always under time pressure.
Fast organizing a few personal things. Shopping food online, something healthy, if possible.
Even more quickly, make a little sport.
Getting back home, tired.
Hardly time to breathe, few highlights.
This is how I painted the Everyday Life